I’m sure you’ve heard one or both of these before:
If you want to be a writer, you need to write.
You may even be familiar with what Malcolm Gladwell reported in his book, Outliers: in order to become successful at something you need to clock 10,000 hours doing it. It’s a no-brainer that writers should write, but I believe it’s only half of what is needed to hone your craft. The other part of what makes you a good writer has to do with being a reader – a reader of a special kind.
When I started my Master of Fine Arts, I was told that I would never read the same way again, and honestly, I didn’t know what that meant. I could already identify themes, images, symbols, metaphors, similes… I could already tell you who the protagonist was in a story, who the antagonist was… I was not sure what kind of reader I would be when I finished the program, because I didn’t know there was any other way to read.
Then, in my first semester, I opened the book How I Live Now by Meg Rosoff. I remember reading along at a very steady, carefree pace until I hit this paragraph, about a hundred pages in, and everything changed. I found myself reading frantically. My heart raced, and my eyes couldn’t scan the page fast enough.
What was this? What just happened?
Turns out, that’s exactly what you have to ask yourself in order to read in a different kind of way. To read like a writer. You must become aware of your personal response to a story so that when something changes in you – when you feel something – you stop and take notice. Then, go a step further and teach yourself something from that experience and you’ll become a better writer.
You’ll want to train yourself to become aware of all sorts of things. The pace of your reading. Feeling like you want to skip over sections. Feeling angry, sad, happy… the whole range of possible emotions. Feeling like you know exactly what’s about to happen. Feeling lost. Train yourself to notice both your positive and negative reactions to a story. Then, use this awareness to teach yourself something about the craft of writing. Ask yourself: what was it about that paragraph, that sentence, that word, that led to this reaction in me? How did the choices the writer made (or failed to make) lead me to this response? Don’t move on until you have at least a little bit of insight.
Learning to read like a writer is essential because the writing of a story is only half of the experience of a story. The other half of the experience comes from the reader – from their response and engagement. It’s important to know how to “craft” that, too, as far as it’s in your power to do so.
In the next few blog posts I’ll deconstruct some passages to give you an idea of what reading like a writer looks like. In the meantime, write, and read, fiercely. Perhaps Gladwell will let us get away with 5,000 hours of each…
* Perhaps you’ve heard the second part of that, too – “Writers can’t NOT write.” I could go on and on about how absolutely unhelpful this statement is, and I will – but I’ll save it for another post.